Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.   Related Paintings of GIOTTO di Bondone :. | View of the Peruzzi and Bardi Chapels fh | The Devils Cast out of Arezzo (mk08) | The Stefaneschi Triptych | Creation of Adam | Flight into Egypt |
Related Artists:
Peacock, Joseph
Irish, 1783-1837
Hermann David Solomon Corrodi
Italian, 1844 - 1905
Jean Paul Selinger
Jean Paul Selinger (1850-1909) and Emily Selinger (1848-1927), husband and wife, had summer art studios at the Glen House and the Crawford House. Born in Boston, Jean Paul studied at the Lowell Institute and in 1875 he went to Germany to study at the Munich Academy with Wilhelm Leibl. Upon returning, he opened an art studio in Providence, Rhode Island, and married Emily McGary, also an artist. The Selingers had a studio in Boston and a summer art studio at the Glen House, Pinkham Notch in the 1880s. In 1894 the Selingers moved into the former studio of Frank H. Shapleigh at the Crawford House. In August 1894 the Selingers accepted an invitation to serve on the board of judges for a North Conway Coaching Parade Committee. Jean Paul painted numerous portraits, still-life paintings, and White Mountain landscapes. Emily painted both watercolors and oils of local flora. Jean Paul was a member of the Boston Art Club. He exhibited at the National Academy of Design in 1880 and the Paint and Clay Club in Boston in 1889.